In Black & White Place Order
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DISC: 1
| 1. Part |
| 2. L’adoration Le la Terre. Introduction |
| 3. Part |
| 4. L’adoration Le la Terre. Les Augures Printaniers – Danses Des Adolescentes |
| 5. Part |
| 6. L’adoration Le la Terre. Jeu Du Rapt |
| 7. Part |
| 8. L’adoration Le la Terre. Rondes Printania”Res |
| 9. Part |
| 10. L’adoration Le la Terre. Jeux Des CitacS Rivales |
| 11. Part |
| 12. L’adoration Le la Terre. Corta”Ge Du Sage |
| 13. Part |
| 14. L’adoration Le la Terre. Le Sage |
| 15. Part |
| 16. L’adoration Le la Terre. Danse de la Terre |
| 17. Part |
| 18. Le Sacrifice. Introduction 1 |
| 19. Part |
| 20. Le Sacrifice. Cercles MystacRieux Des Adolescentes 1 |
| 21. Part |
| 22. Le Sacrifice. Glorification de L’acLue 1 |
| 23. Part |
| 24. Le Sacrifice. Evocation Des Ancaªtres 1 |
| 25. Part |
| 26. Le Sacrifice. Action Rituelle Des Ancaªtres 1 |
| 27. Part |
| 28. Le Sacrifice. Danse Sacrale (L’acLue) 1 |
| 29. Movement 1 1 |
| 30. Movement 2 1 |
| 31. Movement 3 1 |
| 32. Track 32 |
| 33. Tempo Giusto 1 |
| 34. Track 34 |
| 35. Allegretto 2 |
| 36. Track 36 |
| 37. Con Moto 2 |
| 38. Track 38 |
| 39. [Unspecified] 2 |
| 40. Track 40 |
| 41. Passacaglia 2 |
| 42. Track 42 |
| 43. Gigue 2 |
| 44. Track 44 |
| 45. Eighth Note = 110 2 |
| 46. Track 46 |
| 47. Quarter Note = 52 2 |
| 48. Track 48 |
| 49. Eighth Note = 72 2 |
| 50. Track 50 |
| 51. Eighth Note = 80 2 |
| 52. Track 52 |
| 53. Eighth Note = 104 |
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The repertoire on this CD extends broadly – in terms of style, genre, and chronology – across the compositional output of Igor Stravinsky. Spanning from his most celebrated score for Diaghilev’s Ballets Russes, “Le Sacre du printemps” (1913), through the neo-classical Concerto en mi bémol “Dumbarton Oaks” (1938), up to the serial “Movements” (1959), the selection testifies to the enormous richness and variety of his artistic legacy. This diverse repertoire is presented here by Helena Bugallo and Amy Williams, however, from a unifying viewpoint: the “black and white” perspective of arrangements for piano duet or two pianos that the composer himself made.





