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DISC: 1
| 1. Tierverse: No. 1, Der Adler |
| 2. 4 Winzige Wunderhorn Lieder, Op. 9b: No. 1, Maikäfer-Lied |
| 3. 4 Winzige Wunderhorn Lieder, Op. 9b: No. 2, Geh, Du Schwarze Amsel |
| 4. 4 Winzige Wunderhorn Lieder, Op. 9b: No. 3, Der Sperling |
| 5. 4 Winzige Wunderhorn Lieder, Op. 9b: No. 4, Der Butzemann |
| 6. 6 Gesänge, Op. 19a: No. 4, Neue Liebe, Mwv K70 |
| 7. Auf Stillem Meer |
| 8. 10 Lieder, Op. 1: No. 2, Frühlingslied |
| 9. 3 Lieder Nach Gedichten Von Christian Morgenstern: No. 1, Vöglein Schwermut |
| 10. 3 Lieder Nach Gedichten Von Christian Morgenstern: No. 2, So Möcht Ich Sterben… |
| 11. 3 Lieder Nach Gedichten Von Christian Morgenstern: No. 3, Der Vogel |
| 12. 6 Lieder, Op. 1: No. 3, Warum Sind Denn Die Rosen So Blass |
| 13. Chinesische Liebeslieder: No. 1, Mir Tat Die Helligkeit Der Lampe Weh |
| 14. Chinesische Liebeslieder: No. 2, Der Strom Floß |
| 15. Chinesische Liebeslieder: No. 3, Wenn Ich An Deinem Munde Hingesunken |
| 16. Chinesische Liebeslieder: No. 4, Die Libelle Schwebt Zitternd |
| 17. Lieder Und Gesänge Aus Der Jugendzeit, Book 1: No. 1, Frühlingsmorgen |
| 18. Nach Dem Lichtverzicht |
| 19. 3 Songs, Op. 24: No. 1, Der Perlenzahn |
| 20. 3 Songs, Op. 24: No. 2, Der Römische Brunnen |
| 21. 3 Songs, Op. 24: No. 3, Der Schmetterling |
| 22. 4 Gesänge, Op. 70: No. 2, Lerchengesang |
| 23. 12 Haikus: No. 5, Garten Und Berge – No. 6, The Larks' Song – No. 7, Gardens And Mountains |
| 24. Helle Nacht |
| 25. Der Sommer |
| 26. Tierverse: No. 2, Der Rabe |
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For some years now, Hamburg has been reinventing itself as a city of music. The recently opened Elbphilharmonie – the spectacular concert house on the river Elbe – is one of the factors in this development. As is the KomponistenQuartier (composers’ quarter) in the Neustadt district between Rödingsmarkt and St. Pauli, with no fewer than half a dozen small museums dedicated to composers such as Fanny and Felix Mendelssohn, Johannes Brahms and Gustav Mahler. All of these composers feature on this present Hamburg album, as well as a number of composers, male and female, who all wrote noteworthy miniatures for voice and piano. Mariana Popova was responsible for bringing together these 28 compositions and merging them into a dramatic entity – compositions that together result in a very personal, stylistically multi-facetted Hamburg album (including many worldwide first performances). This is a Hamburg album by two women who have chosen Hamburg as their home: Chinese-born Lini Gong and Bulgarian-born Mariana Popova both feel a close bond with the musical life and musical history of Hamburg. As the duo explain: “We consciously bring together musical languages from three centuries and play about with contrasts and with tone colours, in fact with the entire rich spectrum of the art song genre – a genre that we love very much.”


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